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CHANGING THE CHARACTER SET TO AL32UTF8
 
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By using these steps you can change the oracle database character set to AL32UTF8
Views: 27839 venkatesh sankala
NLS_LANG.avi
 
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oracle language problems with Arabic
Views: 3952 vaguezoro
Custom date time format in Oracle SQL Developer?
 
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From Oracle SQL Developer's menu go to Tools -- Preferences. From the Preferences dialog, select Database -- NLS from the left panel. From the list of NLS parameters, enter DD-MON-RR HH24:MI:SS or for 24-Hour, DD-MON-YY HH24:MI:SS Or just for an active session use below instead. alter SESSION set NLS_DATE_FORMAT = 'required_date_format' i.e. alter SESSION set NLS_DATE_FORMAT = 'DD-MM-YYYY HH24:MI:SS' into the Date Format field. Save and close the dialog.
Views: 373 Maruti AIR Tech
Oracle CURRENT_TIMESTAMP Function
 
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https://www.databasestar.com/oracle-date-functions/ The Oracle CURRENT_TIMESTAMP function will display the current date and time in the session time zone. Just like the CURRENT_DATE function, it uses the session time zone, which is where you logged in from. This could be different to the database time zone. The syntax of the CURRENT_TIMESTAMP function is: CURRENT_TIMESTAMP ( [precision] ) The return type of this function is TIMESTAMP WITH TIME ZONE. The precision parameter is optional, and it lets you specify the number of fractional seconds to return. If this is omitted, it uses the default of 6. It’s different to the SYSTIMESTAMP function, because CURRENT_TIMESTAMP returns the session timezone, and SYSTIMESTAMP returns the database time zone. So, if I’m logging in from Melbourne, Australia, and the database is in London, England, then the CURRENT_TIMESTAMP will return a date and time that’s 10 hours ahead of SYSTIMESTAMP, and in a different time zone. It may be on the same day, or it could be a different day, depending on when I run the function. You can perform arithmetic on this function just like any other date value (e.g. CURRENT_TIMESTAMP - 7 for 7 days ago). However, it might be better to use interval data types so you can keep the original data type. For more information about the Oracle CURRENT_TIMESTAMP function, including all of the SQL shown in this video and the examples, read the related article here: https://www.databasestar.com/oracle-date-functions/
Views: 162 Database Star
Oracle DBTIMEZONE Function
 
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https://www.databasestar.com/oracle-timezone-functions/ The Oracle DBTIMEZONE function returns the database timezone offset of the database. It returns it in the format of +/- TZH:TZM, or the time zone region name. It’s useful to know what timezone the database is in when working with dates and different time zones, as it can impact the queries you write. The syntax for this function is quite simple: DBTIMEZONE There are no parameters - just the function name. You can’t actually change the timezone of the database using this function. It uses the timezone of the operating system of the server the database runs on. It’s similar to the SESSIONTIMEZONE function, but that function returns the timezone of your session and not the database server. It’s also similar to the SYSTIMESTAMP function, but that function returns the date, time, and timezone of the database, where DBTIMEZONE just returns the timezone. For more information about the Oracle DBTIMEZONE function, including all of the SQL shown in this video and the examples, read the related article here: https://www.databasestar.com/oracle-timezone-functions/
Views: 79 Database Star
Alexandru Ionescu: On the global stability of the wave map equation in Kerr spaces
 
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On the global stability of the wave map equation in Kerr spaces Abstract: I will discuss some recent work (joint with S. Klainerman) on the global stability of a stationary axially-symmetric solution of the wave map equation in Kerr spaces of small angular momentum. The lecture was held within the framework of the Hausdorff Trimester Program Harmonic Analysis and Partial Differential Equations. 10.6.2014
SAP BW 7.3 SP9 with Sybase IQ NLS Demo
 
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With SAP BW 7.3 SP9, SAP released a native NearLine Storage solution based on Sybase IQ. This will allow customers to appropriately maintain the size of their online BW database and move older data that is less frequently accessed to an alternate store. The data is still accessible at runtime because the OLAP processor in the BW application is aware of the NLS archive and will retrieve the data from the appropriate store.
Views: 3276 rrountree100
NLS 20131204public
 
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Vergleich der Antwortzeiten Business Warehouse im Vergleich mit PBS-NLS-IQ; PBS archive add ons ist eine eingetragene Marke der PBS Software GmbH. SAP, R/3, SAP NetWeaver, SAP NetWeaver Business Warehouse, SAP HANA, SAP ILM und weitere im Text erwähnte SAP-Produkte und -Dienstleistungen sowie die entsprechenden Logos sind Marken oder eingetragene Marken der SAP AG in Deutschland und anderen Ländern weltweit. Sybase IQ ist eingetragenes Warenzeichen von Sybase an SAP Company.
Session6 Data type in Oracle
 
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Session 6: Datatypes In Oracle   ALPHABET           : A-Z , a-z NUMBER              : 0-9 (with precision and scale) DATE / Temporal  : any Date and time (Hours, Minutes, Seconds, Mili-seconds, Timestamp, Timezone etc)   Alphabet + Number = Alphanumeric Data                                     = String / CHARACTER Datatype Category Number                    =  Numeric Datatype Category Date                         = Date Datatype Category 1. CHARACTER Datatype: CHAR, VARCHAR, NCHAR: CHAR is fixed length datatype and VARCHAR is Variable length datatype to store character data. i.e. A-Z , a-z , 0-9 , all keyboard characters etc. The default size is 1 character and it can store maximum up to 2000 bytes. Example : EName, EmpID, PassportNo, SSN, etc. EName CHAR(10) := ‘TOM’; wastage of 7 space after the string EName VARCHAR(10) := ‘TOM’; Spaces can be Reuse which left after the string NCHAR additionally handles NLS(National Language Support). Oracle supports a reliable Unicode datatype through NCHAR , NVARCHAR2 , and NCLOB  VARCHAR2, NVARCHAR2: These are Variable length datatype. VARCHAR2 handles alphanumeric character string whereas NVARCHAR2 handles alphanumeric character string with NLS(National Language Support). The default size is 1 character and it can store maximum up to 4000 bytes.   LONG:  Variable length string.  (Maximum size: 2 GB - 1) Only one LONG column is allowed per table. RAW:    Variable length binary string (Maximum size 2000 bytes) LONG RAW: Variable length binary string (Maximum size 2GB) 2. NUMERIC Datatype: NUMBER: It stores Numeric values and performs numeric calculations. NUMBER,   NUMBER(n),   NUMBER(p,s) It stores Numbers up to 38 digits of precision. SeqNo NUMBER;                     1, 123, 12345678 EmpID NUMBER(4);                 1, 123, 1234 Sal NUMBER(7,2);                     23456.78 , 123.45 — correction in video: Sal NUMBER(a7,2); which is wrong please ignore. 1234567 can be a type of NUMBER, NUMBER(7), NUMBER(7,0) It can store both integer and floating point numbers NUMERIC(p,s) FLOAT:   Ex:  EmpSal FLOAT;    FLOAT(7)       Decimal Points allowed DEC(p,s), DECIMAL(p,s) , REAL, DOUBLE PRECISION INTEGER:   Ex:  SSN INTEGER;       Decimal Points are not allowed INT, SMALLINT 3. DATE Datatype: DATE: It stores DATE(Date, Month, Year) and Time(Hour, Minute, Second, AM/PM) and performs calculations with such data. Default DATE format in Oracle is “DD-MON-YY” Based on "Gregorian calendar" where the date ranges from “JAN 1 4712 BC” to “DEC 31 9999 AD” doj DATE;    “18-MAR-2010 12:30:00 PM” TIMESTAMP:    It can store all parameters as DATE datatype and additionally it can have “Fraction of seconds” and TIMESTAMP WITH TIMEZONE / TIMESTAMP WITHOUT TIMEZONE. Range from 0-9 digits, the default size is 6. 4. LOB Datatype: LOB: “Large Object” data. It can store pictures, motion pictures, Textfiles etc. CLOB: “Character Large Object” is used to store structured information like a text file with a specific file format. BLOB: “Binary Large Object” is used to store Un-structured information like Image, JPEG files, MPEG files etc. BFILE: “Binary File” is used to store the pointer to a specific file / Just store the location of a file. Maximum size: (4 GB - 1) * DB_BLOCK_SIZE initialization parameter (8 TB to 128 TB) Extra Information: NCLOB : It supports all the character set supported by CLOB and additionally it handles NLS(National Language Support ) Maximum size: (4 GB - 1) * DB_BLOCK_SIZE initialization parameter (8 TB to 128 TB) ROWID and UROWID(optional size) Datatype: contains fixed length Binary data. BBBBBBB.RRRR.FFFFF combination of BLOCK-ROW-DATABASE FILE Physical and Logical ROWID Upcoming Session: Session 7: Populating Data into Tables(INSERT Statement): Inserting data into all columns of a table Inserting data into Required columns of a table Inserting NULL value into a table Inserting Special Values(USER / SYSDATE) into a table Supplying data at runtime(using & and &&) THANK YOU :)
Oracle Edition Based Redefiinition
 
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Upgrading critical applications can be very hard and one of the biggest problems organizations face is the availability of the application during the update. Because of the global nature of applications nowadays we want to achieve 99.99% uptime. Since Oracle Database 11g Release 2 Edition Based Redefinition is available to solve this issue. In this session, Patrick Barel will introduce the ideas behind Edition Based Redefinition and how it can be used. He will look at tables, editioning views, cross edition triggers, and how PL/SQL Code can be changed in the different editions. After this session you will have a basic idea on how Edition Based Redefinition works and how it might help you in your situation. You can view our complete archive at http://www.red-gate.com/oracle-webinars
Views: 2003 Redgate Videos
00- Arabic Language Support: NLS_LANG
 
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Description
Views: 7776 Taher Alraboee
Oracle SQL Tutorial 30 - UTF-8 and UTF-16 Character Sets
 
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A few videos ago we discussed UTF-8 and UTF-16 encoding, but when we are working with a database we do not worry about encodings as much as we do character sets. That's because a specific character set is going to have a specific encoding. The reason I am making this video is to introduce you to the most common character sets and to teach you the differences. That’s because as we go into the national character sets we need to understand the information taught in this video. So the first character set I am going to teach you about is AL32UTF8. AL32UTF8 is a character set that uses the uff-8 encoding and each character can take up to 4 bytes with the utf-8 encoding. There is another character set (not encoding) called utf8 (no hyphen) which is also encoded with UTF-8. This can be a little confusing because UTF8 is the name of an encoding and a character set, but bear with me. Both of these character sets are UTF-8 encoded, but UTF8 uses an older version of UTF-8 encoding. Generally, they work about the same, but the way certain characters are stored is slightly different, specifically way certain characters are stored is slightly different, specifically what are known as supplementary characters, which take up 4 bytes. The max size for a UTF8 character set is 3 bytes, as they do not directly support the supplementary characters as 4 bytes but instead store them across 2 groups of 3 bytes each. Oracle recommends that you use AL32UTF8 for all future development instead of the archaic UTF8 character set. There is another character set that you should know about, and that is AL16UTF16, which uses the UTF-16 encoding. Watch my video over UTF-8 and UTF-16 to learn more about UTF-16. Lastly, there is a character set known as UTFE, which uses an encoding known as UTF-EBCDIC. This is like a super archaic character set, and I'm not even going to talk about it. I thought I would at least mention it as it is going to come up a bit in the next video's topic. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Support me! http://www.patreon.com/calebcurry Subscribe to my newsletter: http://bit.ly/JoinCCNewsletter Donate!: http://bit.ly/DonateCTVM2. ~~~~~~~~~~~~~~~Additional Links~~~~~~~~~~~~~~~ More content: http://CalebCurry.com Facebook: http://www.facebook.com/CalebTheVideoMaker Google+: https://plus.google.com/+CalebTheVideoMaker2 Twitter: http://twitter.com/calebCurry Amazing Web Hosting - http://bit.ly/ccbluehost (The best web hosting for a cheap price!)
Views: 5866 Caleb Curry
113- Oracle SQL 12c: Managing Data in Different Time Zones 1
 
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EXAM 1Z0-061 EXAM 1Z0-071 •Time Zones. •Timestamp Data type •timestamp with time zone •timestamp with local time zone •V$TIMEZONE_NAMES •DBTIMEZONE •SESSIONTIMEZONE •current_date •current_timestamp •Localtimestamp •alter session set time_zone •Extract expression •TZ_OFFSET •from_tz •to_timestamp •to_yminterval •to_dsinterval
Views: 1462 khaled alkhudari
Captain wreck your face from ROBO @ POPNYE ORBITLIGHTSHOW
 
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CAPT. MICKGLOVIN in full face melt mode. Give shows to fucj people up xD whats art lol? {HF} [ROBO]@[email protected] ORBITLIGHTSHOW
Views: 200 hurnake dhillon
The Oracle Rear Panel Overview
 
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This is a quick overview of the rear panel of The Oracle Summing Mixer. For more info please visit http://www.gregwurthaudio.com Be sure to subscribe to the channel and newsletter. http://www.greg-wurth.com
Views: 1458 Greg Wurth
Ask TOM Office Hours: Loading CSV Data
 
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Held on April 12 2018 Chris discusses methods for creating auto-increment primary keys and loading CSV data into Oracle Database. The CSV options SQL*Loader, external tables and using SQL Developer. Start - slides discussing the above 17:00 - handling implicit string-to-date conversions via NLS parameters 20:12 - SQL Developer import/export options 22:57 - Dynamic CSV to columns converter using Polymorphic Table Functions AskTOM Office Hours offers free, monthly training and tips on how to make the most of Oracle Database, from Oracle product managers, developers and evangelists. https://asktom.oracle.com/ https://developer.oracle.com/ https://cloud.oracle.com/en_US/tryit music: bensound.com
Views: 260 Oracle Developers
Introduction to the Workshop for DMU
 
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Wendy Ringgenberg narration
Views: 193 WendyJR3003
Using an inline view in an sql statement in SQL / PLSQL
 
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Using an inline view in an sql statement in SQL/PLSQL
Views: 2495 Subhroneel Ganguly
Video 02 - Summing Digital
 
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Conceitos e aplicações do summing digital. Exemplificado na música "Sou Dessas" por Breaking Conspiracy https://www.youtube.com/watch?v=KvgsFqQrxQo Deixe suas dúvidas!! Inscreva-se no canal! Mais do nosso trabalho em: http://www.dallasound.com.br http://www.soundcloud.com/dallasound
Setting up instant client for oracle 12c
 
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Setting up oracle instant client for oracle 12c is described in this video
Views: 2591 Learn Bytes
Mixing with The Oracle Summing Mixer & Vertigo Sound VSE-2 EQ
 
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In this episode I recalled a mix I did for Boom Boom Boom called "Dream of Life" running The Oracle Summing Mixer with the Vertigo Sound VSE-2 EQ on the stereo buss insert. I explain a bit about the Oracle's functions as well is how the VSE-2 sounds in action. For those interested here is some of the audio / video equipment that I use ScreenFlow http://amzn.to/2F5Z5aJ FCPX http://amzn.to/2GRFLP3 Sony a6300 http://amzn.to/2tbtByz Canon 17-40mm http://amzn.to/2F06ZpT Tascam DR-70D http://amzn.to/2F24wXX Rode RodeLink http://amzn.to/2GU3iPo Softube Console 1 http://amzn.to/2GOdMQb TC Clarity M http://amzn.to/2CNoP9V IK Multimedia Micro Monitors http://amzn.to/2FGgBUa Audeze LCD-X http://amzn.to/2F2MJUZ UAD-2 Octo http://amzn.to/2t8wMHa Kensington Trackball http://amzn.to/2F3FojC Logitech Keyboard http://amzn.to/2COmvzh Be sure to subscribe to the channel and newsletter. http://www.greg-wurth.com Special Thanks: Lisamarie Costabile Orenda Velvet Wurth Jeroen Noordhuis Steve & Vivien Firlotte Ian Gardiner Andy Eschenwecker Craig Bauer Matt Cunningham Dominic Shiner Mark Storm Russ Hughes Neal Faison Dave Morrison Peter Janis Gil Griffith Shane Fitzgibbon Clint Schultz Adam Chamberlain
Views: 4387 Greg Wurth
Часть 0. Oracle Database. Установка Oracle Linux 7 1 в Virtual Box и установка Oracle XE
 
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Видео-мануал по установке Oracle Linux в VirtualBox и установка Oracle XE. Содержимое файлов настроек и скрипты: Содержимое файла .bash_profile. Открываем: nano /root/.bash_profile Вставляем: #Oracle install specific environment settings umask 022 TMP=/tmp; export TMP TMPDIR=$TMP; export TMPDIR ORACLE_HOSTNAME=localhost.localdomain; export ORACLE_HOSTNAME ORACLE_BASE=/u01/app/oracle; export ORACLE_BASE ORACLE_HOME=/u01/app/oracle/product/11.2.0/xe; export ORACLE_HOME ORACLE_SID=orcl; export ORACLE_SID ORACLE_TERM=xterm; export ORACLE_TERM PATH=$ORACLE_HOME/bin:/usr/sbin:$PATH; export PATH LD_LIBRARY_PATH=$ORACLE_HOME/lib:/lib:/usr/lib; export LD_LIBRARY_PATH CLASSPATH=$CLASSPATH:$ORACLE_HOME/JRE:$ORACLE_HOME/jlib:$ORACLE_HOME/rdbms/jlib; export CLASSPATH NLS_LANG=AMERICAN_AMERICA.CL8MSWIN1251; export NLS_LANG Ctrl+O сохранить, Ctrl+X выйти из nano. В mc - F4 редактировать файл, F2 - сохранить, F10 выйти Открываем порт 1521 и 8080 в Firewall на Oracle Linux 7.1: firewall-cmd --zone=public --add-port=1521/tcp --permanent ; firewall-cmd --zone=public --add-port=8080/tcp --permanent ; firewall-cmd --reload ; firewall-cmd --zone=public --list-ports Должно быть так: success success success 1521/tcp 8080/tcp Команды создания пользователя вставляем в SQL Navigator или SQL Developer: --DROP USER analytic CASCADE; --Это удаление пользователя и всех его данных. CREATE USER analytic IDENTIFIED BY 123456; --123456 - это пароль. GRANT CREATE SESSION TO analytic; --право подключаться. Ѕез него невозможно залогиниться в Oracle --под этим пользователем. GRANT CREATE TABLE TO analytic; --право создавать таблицы GRANT CREATE PROCEDURE TO analytic; --право создавать процедуры GRANT CREATE TRIGGER TO analytic; --право создавать триггеры GRANT CREATE VIEW TO analytic; --право создавать представления GRANT CREATE SEQUENCE TO analytic; --право создавать последовательности GRANT CREATE LIBRARY TO analytic; --право создавать внешние процедуры/библиотеки GRANT CREATE ANY DIRECTORY TO analytic; GRANT DROP ANY DIRECTORY TO analytic; --право создавать, удалять, читать и писать в директории GRANT CREATE PUBLIC SYNONYM TO analytic; GRANT EXECUTE ON SYS.UTL_HTTP TO analytic; GRANT EXECUTE ON SYS.UTL_FILE TO analytic; GRANT EXECUTE ON SYS.utl_smtp TO analytic; GRANT EXECUTE ON SYS.utl_xml TO analytic; --права на использование пакетов ALTER USER analytic QUOTA UNLIMITED ON USERS; ALTER USER analytic QUOTA UNLIMITED ON SYSTEM; --раздаем квоты на использование места - неограничено. COMMIT; --подтверждение сделанных в данной сессии операций Access Control List не могу опубликовать, с видео тащите. Гугл не позволяет писать скобки в описании видео. Но в принципе ACL и не нужен большинству из вас.
114- Oracle SQL 12c: Managing Data in Different Time Zones 2
 
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•Time Zones. •Timestamp Data type •timestamp with time zone •timestamp with local time zone •V$TIMEZONE_NAMES •DBTIMEZONE •SESSIONTIMEZONE •current_date •current_timestamp •Localtimestamp •alter session set time_zone •Extract expression •TZ_OFFSET •from_tz •to_timestamp •to_yminterval •to_dsinterval
Views: 1655 khaled alkhudari
db files change
 
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Change the DB_FILES parameter in ORACLE without changing the control file.
Views: 80 Imraan Grace
52. Design - Designing for Internationalization - Character encoding
 
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The author's recommendation: the ADF Architecture TV channel is a training course to extend customers' knowledge in ADF, it is not a marketing or promotional exercise from Oracle Corporation. If you've arrived on this episode by Googling in, please make sure to look at all of the content on the TV channel rather than taking this episode as a standalone topic. This episode: The best internationalized applications can be ruined by improper character encoding. In this week's episode of the ADF Architecture TV series with Frederic Desbiens, you will learn how to preserve the integrity of both data and on-screen text through proper encoding. You will also see where the main encoding settings are located in the JDeveloper IDE. Like to know more? Check out: Watch the previous episode: - Design - Designing for Internationalization - User Interface Design - http://youtu.be/ARx0hRNGfcU Watch the next episode: - Design - Designing for Internationalization - Resource Bundles - http://youtu.be/Q8fS7axk6Ho Subscribe to the channel: - http://bit.ly/adftvsub See the episode index: - ADF Architecture Square - http://bit.ly/adfarchsquare
Views: 1163 ADF Architecture TV
Our way of using Waves NLS | part 2 The Channel
 
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With this second video we want to continue sharing our way of using Waves NLS. In this part we will see how and where we use NLS Channel which is the component created by Waves to be used in instrument channels such as Guitars, Bass and Drums. In the first part we teach how to use the other half of Waves NLS: The Buss https://youtu.be/RQ_7Vd0ojkM Click this link to save an additional 10% off any purchase at Waves: https://www.waves.com/r/xhwkze From the website: Waves, together with three of today's top producer/engineers, is proud to present the NLS Non-Linear Summer: Three legendary consoles in one powerful plugin. The "magical" solid state console belonging to Mark ´Spike´ Stent (Björk, Muse, Maroon 5, Madonna). The classic console owned by Mike Hedges (The Cure, Siouxsie and the Banshees, Dido, Faithless, Manic Street Preachers, U2), heard on such timeless recordings as Pink Floyd’s The Dark Side of the Moon. The vintage British console customized for Yoad Nevo (Bryan Adams, Pet Shop Boys, Sugababes, Goldfrapp, Air). Waves modeled over 100 individual channels in all, capturing the unique color, character, and behavior of each and every input and summing bus amp. NLS delivers the richness, depth, and harmonic complexity that only analog gear could deliver, until now. Link: https://www.waves.com/plugins/nls-non-linear-summer Enjoy! http://amagrasmusic.com/ Bandcamp: https://thewit.bandcamp.com/
50. Design - Designing for Internationalization - Understanding Internationalization
 
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The author's recommendation: the ADF Architecture TV channel is a training course to extend customers' knowledge in ADF, it is not a marketing or promotional exercise from Oracle Corporation. If you've arrived on this episode by Googling in, please make sure to look at all of the content on the TV channel rather than taking this episode as a standalone topic. This episode: In this week's episode of the ADF Architecture TV series Frederic Desbiens explores the basic concepts of internationalization (i18n) and explains why it involves much more than simply translating the user interface. Like to know more? Check out: Watch the previous episode: - Design - Architecting for Mobile Integration Overview - http://youtu.be/FcnfeXlmvYE Watch the next episode: - Design - Designing for Internationalization - User Interface Design - http://youtu.be/ARx0hRNGfcU Subscribe to the channel: - http://bit.ly/adftvsub See the episode index: - ADF Architecture Square - http://bit.ly/adfarchsquare
Views: 1241 ADF Architecture TV
Analog Summing vs Digital Summing
 
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Instant access to every in-depth mixing course from Matthew Weiss: http://theproaudiofiles.com/members An explanation and audio comparison of analog vs digital summing. — Transcript: Welcome to the Ask Weiss series, and this question is a general purpose question that I've seen floating about on forums and everything like that, and that is, “What are the merits to analog summing versus digital summing, and is analog summing better?” We have to understand that when we're making this comparison, it's not exactly the same thing. It's almost apples to apples, but not quite. A digital summation is literally a sum. You are taking words, which are data points, and you are adding them together, functionally. It is literally a sum of amplitude points being reconstructed into a new function. In analog summing, it's not quite the same, because you have multiple voltage sources coming together, which is going to change your impedance, it's going to have to go to a source which is going to have a nominal operating voltage level, and you're going to end up overloading that if you don't put resistors in the path. On top of that, if the voltage changes, if there's dramatic changes, you're going to get impedance shifts along the way, meaning your impedance matching is never going to be spot on, it's always going to be changing whether or not the kick drum is hitting or something, so you might want to have some sort of regulatory system involved. So it's not really as clean as, “Yeah, we're just putting all of the stuff together,” now you have to do it through some kind of a mechanism. Before there was any kind of digital recording systems, the analog recording systems were striving to get close to what is called a one-to-one transfer, which is what you get in is what you get out. Ideally, they would be exactly the same. Now of course, you can't get there because physical limitations exist in the world. But people get better and better, technology develops, and you get something that is closer to that. But now, we have digital summing. We have a perfect one-to-one transfer. So the goal of analog summing has changed, because if you want that, we already have it. So now, when people are looking at analog summing, what they're really looking at is the non-linearities that come about as a result of a process, and the benefit to those non-linearities, and in a way, it kind of means that the worse the summing mixer is, the better it is. Anyway, that's all talk and hearsay and etcetera etcetera. Let me just show you some examples, and we'll pull them apart real quick, and I'll leave it at that. So this is my dry mix. This was summed digitally, and I'm going to play it for you. [mix digitally summed] This was summed through my Unit Audio MicroUnit here, and the makeup gain is going through my Avalon M5s. [mix analog summed] I'm going to A/B them real quick one more time, and I'm just going to pull apart the differences that I'm hearing. [mix plays, switching between digital and analog summed] These are about level matched. They're pretty darn close. I was working with some null tests to get it about as even as possible, but there are a few things that fundamentally changed that make it impossible to null. The first thing that I notice is that the digital sum to me actually sounds bigger. It has a larger scope of sound. The summed signal immediately has an interesting and compelling vibe to it that I do like, so I don't think I'm getting a bigger, wider, taller mix when I sum something. What I think I'm getting is an interesting color that seems to exist over the entire mix in a really nice way. The other thing that's worth pointing out is the frequency response has changed. There is a very tiny bit of attenuation going on in the deeper part of the low end, maybe around 60Hz, and there's a pretty notable wide roll-off coming in from the top end. So we're losing a very little bit of low end, and a pretty good amount of high end. So I'm going to A/B that again real quick. [song, switching between digital and analog summed] Right. Now, is that a problem? It can be, but it can also really be a moot point, because I have an equalizer. I can simply boost up some top end and boost up a little bit of the bottom end, and rebalance it. [analog sum, EQ'd] So, before... [song, before] After. [song after] The two things to point out are one, this is not an exact comparison, because it's not an exact science. It's art. [truncated]
Views: 42504 Pro Audio Files
Virtualization and SAP HANA: What's New and What's Next
 
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As customers start to consider SAP HANA, and dipping their toes into the in-memory database further, scaling out an appliance strategy is on their minds. How can a customer leverage their existing provisioning tools and processes for SAP HANA? How does disaster recovery and backup fit in? And what changes to make virtualization of HANA easier are in store down the road? In this interview, Gregory Smith of Hitachi Data Systems shares his advice. Make even more of your SAP TechEd experience by attending one of the Americas' SAP Users' Group (ASUG) pre-conference seminars. These intensive full-day sessions bring together the best minds in the industry to provide deep-dive knowledge sharing in a unique setting. The seminars are available for many experience levels and in a number of skill sets. Please note that an additional fee is required and each seminar is priced separately.- http://bit.ly/2axiEsr ASUGNews: http://bit.ly/1TrYJ3a Subscribe to the ASUG FIrst Five: http://bit.ly/1ViclgZ ASUG: http://bit.ly/1YSKMtm Let's Be Social Twitter @ASUG365 http://bit.ly/20to1xP LinkedIn @ASUG - Americas' SAP Users' Group http://bit.ly/1TokVsS Facebook @Americas' SAP Users' Group (ASUG) http://on.fb.me/1Vsz5HR Subscribe to ASUGtv for more videos from the an independent community of SAP professionals helping each other to solve business problems and achieve real results.
Views: 116 ASUGtv
LittleOne Passive Summing Mixer Little One 4 - 8 - 16 - 24 - 32 or more input Discrete Mixer
 
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Products: https://summing.vintagemaker.net/ more on: http://www.vintagemaker.net More than 1500 happy customers since 2010 ! Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer or read more on gearslutz vintage maker neumann Please note! Price depend of Your desired setup options! Production / Build time: 5-10* busines days *depending on the size of the project You can customize (roughly): Summing network Insertion resistance Sum network designed for Your Studio micpre or DAW amp work range! (let me know about Your gear type to hit best for Your needs) *Can build in to 1U /2U rack if need Desktop LittleOne box: From 4 - 6 - 8 -10 - 12 -14 -16 - 24 balanced input! 1U Rack up to 32 input both TRS and DB25 DSUB balanced input Input type as: TRS or DSUB balanced Output type as: TRS or XLR Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Master Stereo to mono option for mix compatibility test purposes Unique NAME laser engraving and so on... Why choose LittleOne mixer? Requires only +15 dB /+20dB or +25dB (depending of Your DAW amp or Micpreamp type) of make-up gain! other mixers requires +35-45dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 4-8-12! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as 4-8-16 different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve 1073,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +30/+40dB makeup gain! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!
Views: 5623 Vintage Maker
Informatica Nearline for SAP BW    Archive Job
 
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This video explains the following in Informatica Nearline for SAP BW -- Archive Job: - Starting the SNIC Server - Running the archive job - Querying the nearline data
Views: 1452 Informatica Support
MAKING DECISIONS
 
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What's up everybody, if you're on my youtube channel or my website, thanks again for stopping by. In this video I'm "mixing" a song or what I like to call "making decisions" about the best way to blend all of the elements for the best sounding mix. I'm also running stems of the mix through an analog summing box and then printing the final mix back into Protools to give the mix a warmer cohesive sound. The song is called "Another Day", and was recorded at my studio. I produced the music and the lyrics were written by three very talented songwriters, Tatiana Owens, Alicia Angel and Jay Max. Tatiana is also a recording artist so she blessed the song with her vocals. I had a great time mixing the joint, I learn something new every time. Enjoy, Salaam.
Views: 1813 CHI SALAAM
Java Oracle Connection Part1
 
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How to Connect Oracle database to Java Java Oracle Connection Part2 at : http://youtu.be/T_DceKcyBJg download Link : http://www.mediafire.com/download.php?grgdh35vzlcyivj has "jar file" + "SQL class" + "pdf show steps"
Views: 45414 Abdelrahman Hassan
Why Use an Analog Summing Mixer? | Audio Engineer Ryan West
 
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In this short video, sound engineer Ryan West (Eminem, Jay Z, Willie Nelson) describes the best way to use a hybrid mixing rig with analog summing. From Flux Recording Studios in NY, Ryan points out why simply taking an in-the-box mix and spreading the channels out into an analog summing mixer isn’t going to instantly improve the mix, because that's not the way analog summing works. It is a completely different environment so you have to "start from the beginning using a high-quality summing mixer" to reap the sonic benefits—the increased punch, clarity, stereo separation, depth, width and the "front to back three-dimensionality" that separate an average mix from a great one. Ryan tells his story of how he switched from in-the-box mixing to using analog summing. He now uses the Dangerous Music 2-BUS+ and his mixes got "better, bigger, badder, and more exciting." "There's a lot of mystery and even some controversy around hybrid mixing and using analog summing,” says Ryan. “For me, analog summing is the answer, the whole mixing system is larger than the sum of its parts, the monitor controller, great conversion quality, discreet analog channels of a summing mixer—those things taken together give you the ability to get a great mix. You can only utilize your skills when you can hear what's going on. That's how you get to where you want to be as a mixer.” Ryan West has engineered at top New York studios including Stadiumred Studios NYC, SoHo Studios, and Baseline Recording Studios, cranking out hit after hit for today’s top artists. And gear matters to him too, “The more that I can hear, the more that I can control when mixing. That’s Crucial. When you are adjusting wonderful reverbs and delays and small sounds that can cause excitement in a mix without being in your face…having the sort of detail I can hear in the Dangerous converters is huge to me.” As an accomplished engineer and producer in a variety of musical genres, #RyanWest is best known for chart-topping Hip-Hop and R&B mixes for today’s top artists such as Rihanna, Eminem, Jay Z, T.I., Usher, Dr. Dre, 50 Cent and many more. His mixes for artists have reached 19 Gold, 10 Platinum, 5 Multi-Platinum, and 1 Diamond RIAA album awards levels. He was nominated for the prestigious Album of the Year Grammy in 2004 for Usher's “Confessions,” and again in 2011 for Eminem's “Recovery.” Visit: http://www.ryanwestmusic.com Learn more: http://dangerousmusic.com/tutorials/summingmixing/
Views: 38303 Dangerous Music
Analog Summing vs Non-Summing. Which is Better?
 
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I give you the opportunity to finally answer for yourself that long going debate of whether analog summing is worth doing or not. Head on over to the quiz link at the top of the description and after providing your answers you will be given your results. Analog Summing Quiz - https://www.kdwmixingmastering.com/analog-summing-quiz/ ------------------------------- Grab my Free eBook '10 Must Do Steps to Mix a Song' here: https://www.kdwmixingmastering.com/free-basic-mixing-guide/ Check out my Training Membership here: https://www.kdwmixingmastering.com/mixing-training-membership-offer/ ------------------------------- Subscribe so you never miss a training video - https://www.youtube.comhttp://www.youtube.com/user/kevindewitmusic?sub_confirmation=1 ------------------------------- Connect with KdW Mixing & Mastering here: YouTube - https://www.youtube.comhttp://www.youtube.com/user/kevindewitmusic Messenger - https://m.me/kdwmixingmastering Facebook - https://www.facebook.com/kdwmixingmastering Twitter - https://twitter.com/kdwmixingmaster Instagram - https://www.instagram.com/kdwmixingmastering/ ------------------------------- https://www.youtube.com/results?search_query=%23audiomixing https://www.youtube.com/results?search_query=%23mixingmastering https://www.youtube.com/results?search_query=%23audiomixingtraining
Archangel Michael / Dracula / Positive Archon ET Channeling
 
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Private Sessions / Questions / Learn to Channel Ivan Teller Services Overview https://youtu.be/F50rg5KgaRs Book A Private Session https://youtu.be/eTGulJYd2Kw Submit A Question https://youtu.be/qy98UgxeoNU #spirit #aliens #QAnon
Views: 297 Ivan Teller
Summing Changed the World of Mixing for Grammy-winning Engineer Todd Whitelock
 
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After mixing over 400 records on large format consoles, Grammy® Award-winning engineer Todd Whitelock switched to analog summing and discovered his ultimate mixing voice and sound. With a shorter signal path, a wider dynamic range and more transparency than he had ever gotten on a standard console, Whitelock knows that by using stem mixing and analog summing he can bring recorded music to the listener as the artists intend like never before. On Cécile McLorin Salvant's GRAMMY Award-winning Best Jazz Vocal Album, "For One To Love," Whitelock mixed the tracks with the Dangerous 2-BUS+ summing amp at Flux Studios in New York. "Getting into the summing world was new to me after working with many large format desks and mixing over 400 records, but summing opened my ears to a much clearer, cleaner and more transparent signal path than I had on those large format desks. There's nuance, space, and the ambience and acoustics all come through better when I mix on the 2-BUS+ than on a large format console," says Whitelock. Todd Whitelock has engineered albums for many of today’s most exciting artists including Josh Groban, Idina Menzel, Harry Connick Jr., Yo Yo Ma, Kronos Qt., Chick Corea, Wynton Marsalis. and the Jazz at Lincoln Center Orchestra to name just a very select few. His work has been awarded six Grammy awards over a twenty five year career, the most recent being "For One to Love" by Cécile McLorin Salvant which garnered the prestigious “Best Jazz Vocal Album” for 2016 and his recording of Christian McBride's Trio "Live At The Village Vanguard" captured a Grammy winning performance by Christian for Best Improvised Jazz Solo, the first for a Double Bassist. Besides album work Todd has engineered numerous Broadway Cast Recordings, Film Scores and Feature Music such as last year's Coen Bros. movie "Hail Caeser!" as well as the theme music to The Late Show with Stephen Colbert by Jon Batiste. Browse other music projects and artists Todd Whitelock has worked with: http://www.allmusic.com/artist/todd-whitelock-mn0000616709 More from Dangerous Music: http://dangerousmusic.com/
Views: 4810 Dangerous Music
Allstyles top 2 final round
 
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Allstyles top 2 final round Ultimate dancer 6 I do not own the rights to this music
Views: 2059 DragonGadget
SAP BW 7.X on HANA Training | SAP BW on HANA Training
 
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SAP BW on HANA Training really stands for high performance analytical appliance so, analytical solution is a tool that lets you analyze your data or information but let’s look at each of these terms we will get to that but let’s examine what is the need of a high performance analytical appliance and let’s examine the drawbacks of existing systems or analytical solutions. Now the basic type of system that we have available today is open TP system which is a transactional system its built to be able to handle transactions you know such as sales recording sales etc…easily and that’s what it does, It has some basic reporting functions but it doesn't support any detailed analysis examples of such in system include SAP ERP or Oracle ERP on the other hand we have OLAP systems the analytical processing systems which are purpose- built analytics to work on the shortcomings of an old TP system. We have SAP HANA as a Database on top of that we have SAP BW/BI, and HANA studio to design the views. In HANA studio we have Attribute view, Analytical view and Calculation view. And in the SAP BW BI we create cubes and DSO's then the system will automatically generate views in SAP HANA. SAP HANA started with 2.0 earlier 19 years ago, and it started SAP BW 3.5 and SAP BW or BI 7.0/ 7.1/7.2/7.3 SAP BW 7.4 and now we have SAP BW 7.5 when we have the SAP BW 7.4 or SAP BW 7.5 no need to create DSO cubes, it will automatically generate views in HANA system. They support a variety of analysis and data warehousing examples of these systems includes SAP BW or Oracle BI but when you look at the OLAP systems as the data of the corporation grows in size every day as it keeps increasing these OLAP solutions unable to perform properly. SAP BW 7.50 is the following foundation on the rearrangements street towards the S/4 HANA. Additionally the Business Planning and Consolidation (BPC) is presently completely incorporated in the SAP BW programming layer for the standard and installed utilize case.With the full help of Advanced DSO (aDSO) objects for SAP-NLS and DT (dynamic tiering) and further upgrades for the BW displaying condition in Eclipse (inquiry originator) and the new HANA source framework to remain good with S/4 HANA. Most of the Data warehouses or reporting solutions store the data in the tables which are just logical representations of Data but actual storage is in hard drive.
Views: 69 Harika Shetty
SAP HANA Academy - SDA: Sybase IQ 16  [SPS 06]
 
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In this video, Tahir Hussain "Bob" Babar examines the new Smart Data Access fetaure of SAP HANA 1.0 SPS6. Here, we see how to connect to data residing in a Sybase IQ 16 system.
Views: 2892 SAP HANA Academy
SQL 091 String Scalar, TRANSLATE or How can I change a character set?
 
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Explains the String Scalar Function TRANSLATE to convert a string to another character set. From http://ComputerBasedTrainingInc.com SQL Course. Learn by doing SQL commands for ANSI Standard SQL, Access, DB2, MySQL, Oracle, PostgreSQL, and SQL Server.
Views: 630 cbtinc
NULS Coin ofering the most convenient blockchain for DApps
 
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NULS Coin ofering the most convenient blockchain for DApps Meet the cryptocurrency network that is offering business enterprises the chance to improve their credibility by having their Decentralized Applications (DApps) deployed on to the blockchain. NULS Coin main goal is to offer the best platform for business owner to develop and distribute decentralized... ► SUBSCRIBE FOR MORE VIDEOS: https://goo.gl/NYaHq2 ► Bitcoin News -Alt Coin news - coin telegraph - coindesk - coin market cap https://goo.gl/45UVFu ★★★ Thanks for watching! Please leave a like if you enjoyed and tell me what you think in the comments! Thanks ★★★
Views: 109 CoinKorea
Dangerous Music 2-BUS+ Analog Summing Mixer Review by Sweetwater Sound
 
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Get the Dangerous Music 2-BUS+ here: http://www.sweetwater.com/store/detail/2BusPlus Sweetwater Minute, Vol. 291 In this Sweetwater Minute, Mitch Gallagher gives an in-depth look at the Dangerous Music 2-BUS+ analog summing mixer. It improves on the acclaimed 2-BUS summing mixer with improved crosstalk rejection, better stereo imaging, and even lower noise. The 2-BUS+ gives you an ultra-high quality option for summing your mixes. Dangerous Music spent a years developing three color options for the 2-BUS+: harmonic distortion, paralimiting, and transformer. Mitch shows examples of each, and the distinct character they can add to your tracks. For flexibility, the color section can be applied to your whole mix, stems 13-14, or stems 15-16. Analog summing mixers have always been a great way to create mixes with more punch and dynamics than mixing in the box, and the Dangerous Music 2-BUS+ is a sweet choice. Between the coloration options and the stellar audio quality in general, it's an outstanding way to finalize any mix. Thanks for watching!
Views: 33195 Sweetwater
Consilience 2014-15 Net neutrality: Regulatory framework in India and the way forward
 
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SESSION IV: REGULATORY FRAMEWORK IN INDIA AND THE WAY FORWARD: Moderator: Ms. Nirupama Jayasimha (Associate, Trilegal) Panelists: Mr. Rajan S. Mathews (Director General, Cellular Operations Association of India) Mr. Pranesh Prakash (Policy Director, Centre for Internet and Society) Mr. Ramanjit Singh Chima (Asia Consultant, Access Now) Mr. Ganesh Prasad (Partner, Khaitan & Co.) Student Speaker: Mr. Pushkal Dubey (III Year, B.A., LL.B (Hons.), NLSIU)
SAP BW On HANA  Training Online Demo | SAP BW on HANA Training Free Videos
 
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SAP Trainings Online best training institute in leading IT online training. We provide best SAP BW on Hana online training by real time experts who are working and teaching. #saptraining #sapbw [email protected] USA:+ 13152825809 India: +91 9052775398 Skype: saptrainingsonline watsup: +91 9052775398 http://www.saptrainingsonline.com/sap-hana-online-training-course/ Who Should Join this Training? • SAP BW/BI Consultants Only . First 3 Weeks ( SAP HANA + Mixed BW Content ) . Two Sat & Sunday’s - SQL for HANA & BODS (8 Hours Basic & Advanced SQL ) . 3 Weeks - SAP BW On HANA Course Duration: 1 Month 2 week ( First 3 Weeks - SAP HANA (Also 2 Weekend Class for BODS & SQL For SAP HANA (8 Hours ) & Rest 3 Weeks SAP BW On HANA ) Training Details Course Duration: 40-45 hours Training + Assignments + Actual POC’s Training Materials: All attendees will receive, • Assignment after each module, Video recording of every session • Notes and study material for examples covered. Pre-Requisites: • Basics of SQL, Database & Data Warehouse Who Should Join this Training: • Someone who is looking for a career in SAP HANA Database. • Someone who is a SAP Consultant and wants to add SAP HANA skills. Training Format: This course is delivered as a highly interactive session, with extensive live examples. This course is Live Instructor led Online training delivered using Cisco Webex Meeting center Web and Audio Conferencing tool. INTRODUCTION: • Evolution oh HANA • Introduction to SAP HANA • Introduction to SAP In-Memory • Strategy and Technology • HANA compare to BWA • SAP HANA Landscape • SAP In-Memory Computing Product Strategy and Roadmap SAP HANA IN-MEMORY SIZING LOOK & FEEL : • In-Memory Computing Studio • Administration view • Navigator View • System Monitor • Information Modeler ARCHITECTURE: • Architecture Overview • Row Store, Column Store • Reporting Persistent Layer Backup & Recovery • Loading data into HANA • Data Modeling concepts Unit 1 : Modeling & Design with SAP HANA Studio: • SAP HANA System Overview • Levels of Modeling in SAP HANA • Creating Attribute Views (Sales Scenarios ) • Creating Analytic Views (Sales Scenarios ) • Creating Calculation Views( Multiple Sales Scenarios ) • Creating Restricted and Calculated Measures, Filters & Variables . Assignment of COPA with Step by Step Document . Unit 2: SAP HANA: • SAP HANA SQL ( Weekend for 4 Hours ) . Debugging Procedures . HANA Live/Content • HANA Optimized BI Content . SAP HANA SLT Configuration . SAP HANA - DATA Provisioning USING BODS ( Weekend for 4 Hours ) . SAP DXC . SDA - Smart Data Access . Transport Management . Authorization/ Analytical Privileges Calculation View • Calculation SQL Script method • How to call CE functions using SQL into Calculation Views SAP BO Reporting Overview (On going Class ) PART 2 Unit 3 : Getting Started with SAP HANA--specific enhancements • Difference between BW and HANA • SAP BW On HANA New Innovations • Semantic Partitioned Object (SPO) (SAP BW 7.3) Unit 4 : BW On HANA Migration. • Pre – Migration Activities • Post Migration Activities • Implementation Methodology Unit 5 : BW On HANA Data Management: • NLS – Near-line Data storage ( Cold, Warm and Hot ) Remining course content will be on website please visit: http://www.saptrainingsonline.com/sap-hana-online-training-course/
Views: 1456 SAP Trainings Online
Berts Stunt Show (3).mpg
 
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Stunt show at Berts Mega Mall in Covina, CA StuntFarm Redline www.facebook.com/OCstunt DeathRidaz Recorded
Views: 292 JunkYardNickz

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