Survival of the fastest. Take a closer look at these massive moving cities with the cast and filmmakers of #MortalEngines.
Hundreds of years after civilization was destroyed by a cataclysmic event, a mysterious young woman, Hester Shaw (Hera Hilmar), emerges as the only one who can stop London — now a giant, predator city on wheels — from devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy (Robert Sheehan), an outcast from London, along with Anna Fang (Jihae), a dangerous outlaw with a bounty on her head.
Mortal Engines is the startling, new epic adventure directed by Oscar®-winning visual-effects artist Christian Rivers (King Kong). Joining Rivers are The Hobbit and The Lord of the Rings trilogies three-time Academy Award®-winning filmmakers Peter Jackson, Fran Walsh and Philippa Boyens, who have penned the screenplay. Visual effects are created by a Weta Digital team led by Ken McGaugh, Kevin Smith, Luke Millar and Dennis Yoo. The Universal and MRC adaptation is from the award-winning book series by Philip Reeve, published in 2001 by Scholastic.
On board as producers are Zane Weiner (The Hobbit trilogy), Amanda Walker (The Hobbit trilogy) and Deborah Forte (Goosebumps), as well as Walsh and Jackson. Ken Kamins (The Hobbit trilogy) joins Boyens as executive producer. Universal will distribute the film worldwide. www.mortalengines.com
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The different "echelons" of society they talk about, about how higher up you live better reminds me of SNOW PIERCER. Both stories are several different social strata living in the same vehicle together.
Guys, the cities move because earthquakes made static settlements unsafe. Centuries later, the current inhabitants of moving cities have forgotten why their cities move in the first place, seeing it as sustainable living despite the many warnings it isn't. The book this is based on was made in the mid-2000s way before political agendas were attached to everything
I have read the books and I must say the first impressions these trailers are giving me shows this will defiantly be a faithful adaption, especially now that shrike is confirmed. My only real complaint is the airship design. In book (spoiler alert) airships are the same as they were in our world, lighter than aircraft flying with gas like helium or hydrogen. Here they appear to use antigravity as the primary means of lift. It only really bothers me because I feel it takes away from the post apocalyptic setting and lost technology trope that was in the original book and because the airships remind me too much of the aircraft from john carter of mars. But that is just my personal opinion and overall I think it looks just like in the books and I am looking forward to seeing this in theaters. I just hope they don't ruin hester's character and be faithful to how she was in the books. I can understand why they toned down the scar but her personality should not be altered, given Peter Jacksons track record with faithful adaptions this hopefully won't happen.
The book is set in a post-apocalyptic world, ravaged by a "Sixty Minute War", which caused massive geological upheaval. To escape the earthquakes, volcanoes, and other instabilities, a Nomad leader called Nikola Quercus (known as god Nicholas Quirke by the time of the book) installed huge engines and wheels on London and enabled it to dismantle (or eat) other cities for resources. The technology rapidly spread, and evolved into what is known as "Municipal Darwinism". Although the planet has since become stable, Municipal Darwinism has spread to most of the world except for Asia and parts of Africa. Much technological and scientific knowledge was lost during the war. Because scientific progress has almost completely halted, "Old Tech" is highly prized and recovered by scavengers and archaeologists. Europe, some of Asia, North Africa, Antarctica, and the Arctic are dominated by Traction Cities, whereas North America was so ravaged by the war that it is often identified as "the dead continent", and the rest of the world is the stronghold of the Anti-Traction League, which seeks to keep cities from moving and thus stop the intense consumption of the planet's remaining resources.
I can’t help but feel likr this is some moronic civil discourse bashing corporations. Because what could be moreintelligent than bashing the peoplewho give you the money to purchase your tvs, your ipads, your phones your books, and oh ya, your fucking homes! Ya, they’re the bad guys cause they’re making you do hard scary work. I’dlive to see modern people 300 years ago, they’d fucking crumble and starve
"How often do we go to the movies today and genuinely see things we've never seen before?"
This is a cool concept and all but really? The main plot line of this film and it's motivation is a kid trying to get revenge on the person That killed her mother, if you ask me ive seen that numerous times.
Joel Punwani I'm asking what's the point of using houses and buildings?Why do they exist in the first place? Like I said I'm sure it's explained better by the books but from the trailers it just seems like a poor attempt to make some interesting visuals under the disguise of social commentary.
SS Robs there isn’t a point anymore, it’s ineffective, prey is scarce - but if any city settles down, it’ll get devoured. They’re trapped in an unsustainable cycle of consumption. Rarely are action and social commentary as well combined as by Phillip Reeve!
Surely not as scary the 2nd time. Oh no! your gonna have to kick some British butt again.
Though fun fact the quote is fiction. He never said it as most of his regime considered them self to be British still at the time.
Universal Pictures, both you guys and Illumination Entertainment needs to make absolutely sure that Illumination Entertainment's Super Mario Bros. movie is, WAY beyond a shadow of a doubt, not only a fun Super Mario Bros. animated movie that both Universal Pictures and Illumination Entertainment themselves has ever created in recent years, not only the most entertaining Illumination Entertainment animated movie the company itself has ever created in recent years that both Illumination Entertainment lovers and haters alike will find total enjoyment out of it, but it's also the, if not, THE best video game adaptation movie ever created to date out of all of the other god-awful video game adaptation movies in the past few decades, period! Even the trailers for Illumination Entertainment's Super Mario Bros. will 100-110% honestly show everybody in the world that the movie will be, hands down, THE biggest and most entertainingly fun video game adaptation animated movie event of the century and NOT another bad video game adaptation animated movie.
I agree, but I'd like to mention he's not actually directing this. Christian Rivers is, and he's been almost a protégé of Jackson's. Jackson is mostly a producer for this, but apparently he came in several times (at least) just to do some minor camera work. Nevertheless, I am excited for this, and I have very high hopes and expectations.
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